Faculty Publications
Publication Date
7-20-2013
Disciplines
Dramatic Literature, Criticism and Theory | Feminist, Gender, and Sexuality Studies | Gender and Sexuality | Theatre and Performance Studies | Theatre History
Abstract
In the last of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner explores how expanding the range of the titular Shrew to include male characters is actually a return to its original meaning. Pollack-Pelzner focuses on a long-forgotten Renaissance sequel to Shrew (John Fletcher's The Tamer Tamed) that takes the taming of men even further and turns its gender roles upside down.
Document Type
Published Version
Related Resource
Related Resource
Related Resource
Original Citation
Daniel Pollack-Pelzner
Summer of shrew, part 4: Which end’s up?
Oregon ArtsWatch, 2013-07-20
http://www.orartswatch.org/summer-of-shrew-part-4-which-ends-up/
DigitalCommons@Linfield Citation
Pollack-Pelzner, Daniel, "Summer of Shrew, Part 4: Which End’s Up?" (2013). Faculty Publications. Published Version. Submission 65.
https://digitalcommons.linfield.edu/englfac_pubs/65
Included in
Dramatic Literature, Criticism and Theory Commons, Feminist, Gender, and Sexuality Studies Commons, Gender and Sexuality Commons, Theatre History Commons
Comments
This article is the publisher-created version, also considered to be the final version or the version of record. It includes value-added elements provided by the publisher, such as copy editing, layout changes, and branding consistent with the rest of the publication.