Event Title

The Creation of Costume Designs for Lend Me a Tenor by Ken Ludwig

Location

Jereld R. Nicholson Library

Date

5-13-2011 3:00 PM

End Date

5-13-2011 4:30 PM

Subject Area

Theatre

Description

The presentation of debauched humor corresponding to the sweet antics of a character swap provides the basis of the play Lend Me A Tenor by Ken Ludwig. The confusion of a sleeping pill overdose drives the Cleveland Grand Opera Company into a frenzy of comical misidentification and rotating door slamming. Lend Me A Tenor provides a saucy interpretation of thirties' elegance and upper-class comicality. The costume design for Linfield’s fall 2010 production of Lend Me A Tenor is based on both showcasing that hilarious chaos and action of the production and capturing the natural feel of 1934 in terms of the appearance of middle and upper-class individuals. The outfits, the hairstyles, and the make-up all match the ideals of those presented in 1934, whether through the high couture nature of the evening gowns or the middle-class trappings of Sears catalogue day dresses. The costume designs emphasize the unique qualities of each individual comedic character while matching the image and silhouette of the period.

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May 13th, 3:00 PM May 13th, 4:30 PM

The Creation of Costume Designs for Lend Me a Tenor by Ken Ludwig

Jereld R. Nicholson Library

The presentation of debauched humor corresponding to the sweet antics of a character swap provides the basis of the play Lend Me A Tenor by Ken Ludwig. The confusion of a sleeping pill overdose drives the Cleveland Grand Opera Company into a frenzy of comical misidentification and rotating door slamming. Lend Me A Tenor provides a saucy interpretation of thirties' elegance and upper-class comicality. The costume design for Linfield’s fall 2010 production of Lend Me A Tenor is based on both showcasing that hilarious chaos and action of the production and capturing the natural feel of 1934 in terms of the appearance of middle and upper-class individuals. The outfits, the hairstyles, and the make-up all match the ideals of those presented in 1934, whether through the high couture nature of the evening gowns or the middle-class trappings of Sears catalogue day dresses. The costume designs emphasize the unique qualities of each individual comedic character while matching the image and silhouette of the period.